Poland - Three Shows -- Part Four

Feb 8, 2015 Wroclaw, Poland (Polish show #1) – Zaklete Rewiry

Beautiful drive into Poland this morning.

I really love it here. Poland took me by surprise the first time I came here in...hmm...probably 1997, with King Crimson. I didn't expect to feel such warmth from the people. Since then I have been back six times. Every time I feel the same.

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Bochum, Germany - Christuskirche -- Part Three

Great venue tonight. OK, wait...I take that back. Beautiful venue. Not great for sound. This was a larger church with some amazing, modern, stain glass windows along the sides. But, a 4.5 second reverb. Thankfully we had a good solid crowd that helped soak up the reflections.

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Zoetermeer, Holland - De Boerderij -- Part Two

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The Security Project tour begins -- Part One

Liverpool, UK

It is cold.

Let me be grim for a moment.

For the moment I can only imagine that this band – The Security Project – has taken on the burden of redeeming some kind of cosmic frozenness. We seem to always be touring in the depths of winter and in the most northerly regions. During our last two winter rehearsals periods (twice!) all the oil in the heating tank where we were staying ran out. Middle of the night New York temperatures plummeting in our rooms. We've encountered snow storms across the North East and Mid West of the US on nearly every tour we've done. Now here we are in Liverpool (the Wirral to be more specific) and it is foochking cold. Sure, your Minnesota numbers are lower than ours here. But you get to go inside and warmup. Or take a warm shower and shake it off. Here there is no shaking and no warm shower. Inside our rehearsal space it was close to 40 F. 40, you say? Not so bad. Yeah, sure, it isn't 20. But we are talking about playing our instruments for 7 hours in this stuff. Cold enough that yesterday my fingers just said “Fuck it. We can't give one shit about trying to play the right notes. Good luck to you.”

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Trey Gunn "Scores" - now available

Buy Here

Touch guitar freak and music coach Trey Gunn (King Crimson, TU, KTU, Quodia, Three Below) draws from his performing and recording catalog for this pioneering book. Notated down to the fine details, this collection will open doors for any tapping musician, or for those curious about how this music is constructed.

Thirteen compositions from Trey's catalog, plus a bonus transcriptions of his parts from the King Crimson piece "The ConstruKction of Light." Beautifully spiral bound in a 12"x9" text.

 

for more info go HERE

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Indiegogo> Trey Gunn score book

I have just launched an Indiegogo campaign to get funds together to produce a score book of my compositions. Full scores with tabs in both 4ths and 5ths versions of the tuning. Including a very special version of King Crimson's "The ConstruKction of Light."

This has been in the back of my mind for many, many years; and now, it is finally coming to birth."

Go here to see the video and read all about it.

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Tapping Workshop - October 2014

Markus Reuter and I will be hosting another tapping workshop Sept 30-Oct 5, 2014.

Space is limited. so register now.

Six full days of tapping gloriousness.

For more info Go Here

Three Below

A new preforming group that I am honored to be a part of has just begun announcing shows for our fall tour.

Three Below
Michael Manring, Trey Gunn, Alonso Arreola  

Three Below is a collective evolution in sound, style and substance surrounding the electric bass. Anyone familiar with the name Trey Gunn knows his innovation in touch instrument technology. Throughout his twenty-year collaborations with guitar legend Robert Fripp and King Crimson, Gunn has become an uncompromising, relentless risk taker pushing the touch instruments to new heights. Michael Manring, a student of the late bass legend Jaco Pastorius and creator of the Hyperbass – with its unique altered tuning system – is another unparalleled pioneer of the electric bass. Rounding out this masterful trio is Mexican bass virtuoso Alonso Arreola, whose advanced percussive sensibilities solidify this perfect musical trifecta.

Our first USA show will be at Seattle's finest club, The Triple Door, on October 7, 2014. SEATTLE TICKETS 

Second show added: Portland, OR -- Alberta Rose Theater -- October 8, 2014 PORTLAND TICKETS

The Creative Life & Identity -- a conversation with Sonya Lea

My friend Sonya Lea and I regularly get together to tear apart our creative lives and compare notes. She recently recorded a conversation/interview with me about identity and I ended up delving into the particulars of my musical life. Much deeper than I thought. Which is what happens with Sonya. This is part of the work she is pursuing for her book about identity shifts.

Part One

Part Two

Ear Training / Dave Douglas

From a letter I sent out to my coaching clients 2.15.2014

This post references a recommendation I made about a composer's workshop in NYC led by trumpeter Dave Douglas.

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Great freed back from Alec who made it to the second day of Dave Douglas' workshop in NYC. I had a hunch that Dave's vibe would resonate with some of us here. Dave's sense, and practice, of putting intention into a single, simple line goes well beyond his genre and beyond most musicians I know.

I have probably mentioned this before, but I will again.

Dave's article on ear training>

http://www.greenleafmusic.com/the-practice-of-ear-training

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The Security Project -- USA/Canada tour 2014

Security Project Tour 2014 Venues and Dates!

*Most venues already have tickets on sale, the rest should be available shortly!

2/26 Woodstock, NY -- Bearsville Theater
2/27 Wilmington, DE -- World Cafe Live
2/28 Sellersville, PA -- Sellersville Theater
3/1 Millville, NJ -- Levoy Theater
3/2 private function
3/3 Buffalo, NY -- The Tralf
3/4 Syracuse, NY -- Westcott Theater

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The Security Project - rehearsals

Video montage from our latest Security Project rehearsals in Woodstock, NY.

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Nik Bärtsch workshop (Part Two) -- Val Mesocco, Switzerland

Continued from Part One

A bit more about the aikido practice.

As I mentioned before, our aikido work was mostly with weapons and led by Andrea. I say ‘mostly’, because it was often hard to say when we were doing aikido and when we weren't. Many of the games and bodywork bridged across the music<>aikido spectrum.

Though once we had weapons in our hands we were definitely practicing aikido. One of the interesting things for me was that Andrea and Nik’s weapon work was different from what I was used to. It wasn’t far away, but it seemed to come from a different line.

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Nik Bärtsch workshop (Part One) -- Val Mesocco, Switzerland

July 30-August 5 Nik Bärtsch workshop -- Val Mesocco, Switzerland

I had been thinking about coming to this workshop for over two years, ever since Henry Kaiser first told me Nik was doing this kind of thing. Aikido + Music + Meditation. Perfect for me. Thankfully, I was able to be in the vicinity (Europe) close enough to the dates so that I could extend my trip and come here.

The short-story-take-aways:

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Zurich, Switzerland - Club Exile with Nik Bärtsch and Mihai Balabaș

Zurich, Switzerland July 29, 2013 -- performance with Nik Bärtsch & Mihai Balabaș at Club Exil.

I ended up blowing off my flight from Munich to Zurich and taking the train directly from Innsbruck. It was a much, much nicer way to travel through the Alps. Tobias went with me, which was great. We got to debrief the tapping workshop and do a fair bit of gear-geek talk.

I arrived in Zurich very weak and immediately went to sleep for another 18 hours. Nik (Bärtsch) had asked me to join him in his weekly performance at Club Exil the next day (Monday, August 29). Nik’s band Ronin has been playing a weekly Monday night gig in Zurich for years. If you want to know how to get good as a band, look no further than this: play a weekly gig, year after year after year. When I met David Harrington of the Kronos Quartet he told me that they rehearsed 5 days a week. Why is Kronos so damn good and how do they learn so much material so quickly? They rehearse regularly and have been doing so for decades.

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